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Messenger Can poetry stop a highway?
The West Australian government has long planned to extend the Roe Highway in stages, ultimately reaching the port of Fremantle, and facilitating heavy haulage to and from the harbour. Police cars lined up on the disputed road.
Author provided The protest began in the weeks leading up to Christmas. The government announced plans to begin clearing bush after lengthy delays caused by legal difficulties in regard to environmental approval. In the heat and flies of a hot Perth December, protesters began assembling in tents and organising through social media.
Police also appeared in anticipation of conflict. Author provided On December 6, about 30 protesters, and as many police, faced off at temporary fencing designed to keep out the public during the planned works.
One Perth poet, James Quintonwho arrived to voice his opposition, found himself increasingly drawn into the struggle to save the bushland. His blog has provided a series of updates widely followed by the protesters as the movement began to evolve.
On December 8, Quinton wrote a prose poem, Roe8 1, the first of a series of poems documenting the protest and asking questions that go to the heart of the issues the road has raised.
To stand in the way of the Roe 8 highway feels wrong. To take a day off work to hold a banner feels wrong. In Marginata shade, with the depleted ozone at Malvolio Road, the sandy verge is compacted by sandals and sneakers, citizens sing get up stand up, stand up for your rights and a mum tells her son off for breaking black boy fronds, and the patrolling police ask us to stay off the street and the Federal Member for Fremantle stands with us, getting grey sand in his shoes with his Ray Bans in his back pocket.
In grey sand on Hope Road, is where she laid, she was not asleep, the earth was no longer flat.
A dragonfly sniffed the truck fumes, she was not asleep. And a comb eared skink bit through the bedsheets of the men who do not dream. Inside the red festoon, trespassing was a kind of parallel.
It is unusual to have art transpire in the real time of political action, but when it does, it carries a particular charge.
Be careful Be careful! It is not a poem of paranoid surveillance, but an urgent plea for the sanctity of witnessing horror: Let there be a landscape of open eyes and bitter wounds on fire. No one is sleeping in this world. No one, no one. I have said it before. As the bulldozers began their work, Quinton was joined on the front line by fellow poets John Kinsella and Tracy Ryan.
Kinsella is a long-time advocate of activist poetics. His poems abandon the historical safety of reminiscence and instead strike their reader with jagged immediacy.
On three separate occasions on 19 December, Kinsella read his Bulldozer Poem, written for the Roe 8 protest, with the bulldozers in action behind him.This essay has been submitted by a law student.
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The Pressed Melodeon: Essays on Modern Irish Writing Ben Howard, Author Story Line Press $ (p) ISBN Montague, and Thomas Kinsella. In the second, Howard discusses anthologies of Irish.
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The Conflicts between the Natives and the CBC Workers, the Government, and the RCMP in The Moccasin Telegraph, a Short Story by W. P. Kinsella.